I'm really attracted to the color compositions in Olofsdotter's work. She has a darker, slightly muted palette that makes some really beautiful work.

Perfume Flowers

Predator, Self Portrait



“It is a stubborn, mysterious, vivid, precious and unpredictable material that wants to be explored and conquered. Its inspirational appearance and characteristics allow me to constantly discover new aspects and possibilities, which I trace within it.
In order to fully understand parchment I research and explore its features. Various influences such as heat, cold, moisture or acidity bring parchment to its mechanical limits. I develop three-dimensional forms out of a flat surface and test different dying and printing techniques on it. I dye pre-cut parts in various stages in a colour bath, and while they are still elastic I shape and assemble them into jewelry.
The parchment shrinks during the drying process and shapes itself according to its inherent growing patterns. By partly interacting with the process, I achieve an interplay between its natural formation and my active interference.”



Although I'm still a little confused as to why anyone would want to recreate such conditions as Herpes or Syphilis, I'm intrigued by Kalman's juxtaposition of the beautiful and the unsightly. She refers to her work as "transgressions of the body." I like the fact that she's bedazzling things that we would normally think of as disgusting and try to cover up. And in doing this, she's calling into question both why we have a natural aversion to these things, and why making them sparkly makes them more beautiful.


